Eucalyptus - photography
Photos about doubts.
dated 2008 until 2010
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(untitled)
2010Our photography derives from the doubt. We doubt the existence of an independent identity. We doubt the belonging. It's archaeology and a future telling at the same time. Uncovering layers, searching for clues in the present to what was, to what will be. Is there a balancing point? Where is the point of unbalance? Against all odds, we search beauty in the dry, the rotten, the broken - in the memories.
(untitled)
2008Our photography derives from the doubt. We doubt the existence of an independent identity. We doubt the belonging. It's archaeology and a future telling at the same time. Uncovering layers, searching for clues in the present to what was, to what will be. Is there a balancing point? Where is the point of unbalance? Against all odds, we search beauty in the dry, the rotten, the broken - in the memories.
(untitled)
2008Our photography derives from the doubt. We doubt the existence of an independent identity. We doubt the belonging. It's archaeology and a future telling at the same time. Uncovering layers, searching for clues in the present to what was, to what will be. Is there a balancing point? Where is the point of unbalance? Against all odds, we search beauty in the dry, the rotten, the broken - in the memories.
(untitled)
2008Our photography derives from the doubt. We doubt the existence of an independent identity. We doubt the belonging. It's archaeology and a future telling at the same time. Uncovering layers, searching for clues in the present to what was, to what will be. Is there a balancing point? Where is the point of unbalance? Against all odds, we search beauty in the dry, the rotten, the broken - in the memories.
(untitled)
2008Our photography derives from the doubt. We doubt the existence of an independent identity. We doubt the belonging. It's archaeology and a future telling at the same time. Uncovering layers, searching for clues in the present to what was, to what will be. Is there a balancing point? Where is the point of unbalance? Against all odds, we search beauty in the dry, the rotten, the broken - in the memories.
(untitled)
2008Our photography derives from the doubt. We doubt the existence of an independent identity. We doubt the belonging. It's archaeology and a future telling at the same time. Uncovering layers, searching for clues in the present to what was, to what will be. Is there a balancing point? Where is the point of unbalance? Against all odds, we search beauty in the dry, the rotten, the broken - in the memories.
(untitled)
2008Our photography derives from the doubt. We doubt the existence of an independent identity. We doubt the belonging. It's archaeology and a future telling at the same time. Uncovering layers, searching for clues in the present to what was, to what will be. Is there a balancing point? Where is the point of unbalance? Against all odds, we search beauty in the dry, the rotten, the broken - in the memories.
(untitled)
2008Our photography derives from the doubt. We doubt the existence of an independent identity. We doubt the belonging. It's archaeology and a future telling at the same time. Uncovering layers, searching for clues in the present to what was, to what will be. Is there a balancing point? Where is the point of unbalance? Against all odds, we search beauty in the dry, the rotten, the broken - in the memories.
(untitled)
2008Our photography derives from the doubt. We doubt the existence of an independent identity. We doubt the belonging. It's archaeology and a future telling at the same time. Uncovering layers, searching for clues in the present to what was, to what will be. Is there a balancing point? Where is the point of unbalance? Against all odds, we search beauty in the dry, the rotten, the broken - in the memories.